Friday, January 21, 2022

From Rascality To Heroism: A Review Of Mukaila Lamidi Auxiliary: Life & Career By Ebika Anthony

 

FROM RASCALITY TO HEROISM: A REVIEW OF MUKAILA LAMIDI AUXILIARY: LIFE & CAREER BY EBIKA ANTHONY

 


Mukaila Lamidi Auxiliary: Life & Career is a literary biographical book, creatively telling stories of a rascally boy, who wobbled through the undulating paths and snaky roads of existence to become a man of heroism. Written by Biola Layonu and Freeman Okosun, two cooperative partners in the practice of biographical documentations, this book is very unique, captivating and desirable. It treats issues of political history, socio-political struggles, childhood plays and pranks, street life, friendship fun and traditional polygamous setting where rivalry, pettiness and jealousy often rear their heads.

 

Interestingly, the authors take a reader from floating in one stream of exciting story to another, and then to another, making the reader enjoy tributaries of stories flowing into the sea of pleasurable reading. Biola Layonu and Freeman Okosun succeeded immensely, in telling stories about Mukaila Lamidi, whose father, a Civil Servant, had wished that he (Mukaila) went to school and eventually become a Civil Servant as well. But alas! A father’s idea of travel by air was quite different from the son’s idea of travel by road.

 

Indeed, seeing a book on Mukaila Lamidi, alias Auxiliary, one’s mind would be congested of various ideas. Here is a rugged and dogged man who holds the society with a firm grip, because, he believes that the society holds him with iron hands. The good thing is that the authors have told stories that the society cannot ignore, but to read in order to know the true person of Mukaila Lamidi and his hustles and bustles to be able reach the arena of leadership. From a nobody, he bulldozed his way to become somebody, who now dines and wines with the high and mighty.

 

In Chapter One of the book, the reader is introduced to Pa Lamidi’s polygamous home into which Mukaila was born. Pa Lamidi, believing that Mukaila should be a Civil Servant like himself, made arrangements for his enrolment at the N5 Elementary School. Indeed, Pa Lamidi believed so much in Mukaila as a true son with the air of fearlessness around him. On page three of the book, the authors noted: “A child whom he (Pa Lamidi) was certain would grow up brave and bold enough to confront life’s complexities was well as its whims and fancies.”

 

Mukaila’s start of elementary school is captured in Chapter Two. Here, the authors gave an account of General Yakubu Gowon’s visit to Ibadan, how Mukaila and a number of pupils were lucky to shake Gowon’s hand, and how Mukaila developed hatred for school environment as a result of being flogged by Teacher Ajala.

 

The incidents in Chapter Three are quite attention-grabbing. Against Pa Lamidi’s strong wish, Mukaila refused to taste the juicy apple of secondary school education. Despite his good First School Leaving result, and Fatimah College, Ikire, waiting to welcome him, the boy Mukaila, who already had hatred for school environment, turned his back. Instead, at the age of 12, he drank the strong wine of street life to define his own kind of freedom existence, and not a regimented life of civil service. Hear the authors on page 60: “He didn’t want the clean, coordinated, almost sweat-less way of life that Civil Service produced. It looked too dull and uninteresting for the kind of blood that boiled through his veins.”

 

Since he turned against his father’s wish, Mukaila disappeared from home and took to car-washing at Mokola, which was then the major motor park in Ibadan. In those days, Gbadegesin, a fearless and most feared motor pack tout ruled Mokola. It happened that while Mukaila was washing a car one day to make ends meet, Gbadegesin who desperately needed money, approached Mukaila to collect the day’s tax. Mukaila told Gbadegesin to give him some time to finish washing the car, but Gbadegesin will not take that. So, he pushed Mukaila by his shoulder and kicked his bucket of water.

 

In annoyance, Mukaila pushed him as well, and that highly annoyed Gbadegesin, the lord of Mokola Motor Park. A fight began, it was a great fight. The two rascals fought until both of them were exhausted before they were separated. Gbadegesin, in the full glare of the world, looked dazed. Nobody at the Mokola Park had dared him. But Mukaila, that small boy had the gut and bravely bruised his ego, rudely roughened his mien, badly battered his personality and brought his great motor park authority to disrepute. Gbadegesin was truly dazed.

 

After that great fight, Gbadegesin was afraid that Mukaila might one day overthrow him at the park. So, Gbadegesin worked on his loyalists and they began to rebel against Mukaila. On page 71, Layonu and Okosun wrote: “He (Gbadegesin) began to devise several mischievous means to put Mukaila in trouble, and to present him like a villain in the eyes of everyone, because he had reckoned that with Mukaila around, he was bound to lose his place of honour before long. This mischievous sabotage by Gbadegesin began to make the streets unbearable for Mukaila.

 

For what seemed like a dark moment, Mukaila left Ibadan for Lagos to begin a new life of making ends meet. This new life of Mukaila was painted on the canvas of Chapter Four. While in Lagos, he worked as a bus conductor, saved money and eventually gained admission into a driving school to earn his driving certificate. Along the line, the death of his father, Pa Lamidi, which Mukaila read in a letter sent to him, hit him so hard and got him devastated. “Mukaila had not cried in years,” the authors wrote on page 98/99, “he was a man of the streets, and one thing every person from the street would always learn, was hardiness, to be unfeeling. But as Mukaila held the letter, he could not withhold the urge to cry. It was the only way he could loosen the grip that was tightened round his neck like a noose. He covered his hands round his face and wept.

 

In Chapter Five, the authors described episodes of Mukaila’s return to Ibadan, and how he joined the National Union of Road Transport Workers (NURTW). In the NURTW, Auxiliary became an active politician and a unionist who gradually, rose to the position of Vice-Chairman in Oyo State. While in Chapter Six, Auxiliary was linked to a sensational murder case. Said to be a victim of political persecution, he was detained in prison and eventually, was discharge and acquitted. Later, Governor Seyi Makinde of Oyo State elevated Auxiliary to take charge of disciplinary matters concerning motor park management in Oyo state.

 

Noted as an ardent lover of a large polygamous family in Chapter Seven, eulogized as a devout Muslim who built a mosque in memory of his Muslim father, and also built a church in honour of his Christian mother in Chapter Eight, and described as a socialite and hotelier in Chapter Nine, Auxiliary’s biography is concluded in Chapter Ten, with comments by his relatives, friends and associates. Amongst these people, Johnson Abiola Jaiyeoba commented on Auxiliary. “He is stubborn but very hardworking,” Abiola said, “he is also steadfast and resilient. I believe those qualities made him to rise in his chosen career,” Abiola added.

 

In fact, this biographical book is a laudable feat of creative versatility and distinction. It is a bold literary piece that serves as a veritable window through which readers can see the clear image of Mukaila Lamidi, a man whose dog is given a bad name, but the society cannot hang it, a man whose person some people unfortunately, misunderstood and misinterpreted, but refused to be bullied, a man whose waist is far above water level, and so, opposite forces cannot drown him.

 

The authors – Biola Layonu and Freeman Okosun thrived with a smooth-flowing prose, their collective voice is bold, and heir narrative pattern is highly commendable. They are advised to take care of the typographic errors in the book when the next edition is to be produced.

 

In conclusion, this book is a biography of important revelations. It is a revelation of motor park society in which the leader enjoys robust financial benefits, and he is highly respected by his followers, but he must always keep on his toes not to be bullied out of his position by way of force. It is a revelation of what our people will describe as ‘bad belle’ politics where the winning party victimizes perceived opponents. This biography is also a revelation of what people can get through the highly-placed people they know. Above all, it is a revelation of Mukaila Lamidi alias Auxiliary as a fearless Ibadan indigene, a onetime car washer, bus conductor, driver, unionist, politician, socialite, hotelier and a family man paddling in the boat of polygamy like his father of blessed memory.

 

Ebika Anthony is a poet, puppeteer, performer and publisher based in Ibadan.

Thursday, February 18, 2021

Call for entries: Art Anthology in honour of Elder Abolade Busari

 

CALL FOR ENTRIES: ART ANTHOLOGY IN HONOUR OF ELDER ABOLADE BUSARI

 


 

In a bid to immortalize and honour the immediate past Chairman of Aza Artists and Writers Movement (aka Alliance of Artists and Writers in Nigeria), Elder Busari Agbolade who departed the earth recently. The planning Committee of Elder Busari Agbolade Memorial Forum hereby call for entries from budding and upcoming artists and writers for her Art Anthology in memory and honour of the great artist.

 

Categories:

 

1.      Photography

2.      Graphic Design

3.      Drawing/Painting/Carving

4.      Poems and essays on any theme are also welcome

 

Rules:

 

1.      Participation in this contest is open to the public.

2.      There is no age limit for participants.

3.      Participation is free of charge.

4.      The Subject/Theme is open.

5.      Your entries should be artistic, deliver a message and reflect a concept and purpose.

6.      By submitting your entry, you admit that you are the only and rightful owner of the entry.


Submission:

 

1.      Each participant should submit as many entries as possible.

2.      Entries should be sent to Mr. Gboye Abidoye on 08036437133 (Whatsapp) and copy woleadedoyin@gmail.com or 08072673852 (Whatsapp)

3.      Submission should contain Name, Country, Age and Brief description of each entry

4.      For photographs, graphic designs and paintings and carvings: Files must be JPEG.

5.      Selected media will be requested to provide high resolution versions.

6.      Any submission that does not respect these rules will not be considered.


Benefits of Participation

 

1.      Certificate of Participation

2.      Feature on AZA Blog

3.      Feature on AZA Artist of the Week Series

4.      Works will be exhibited in virtual exhibition.

5.      Works will be published in our projected anthology



Contact:


If you have any question about this project, please kindly contact Mr. Gboye Abidoye on 08036437133 or Mr. Wole Adedoyin on 08072673852

 

 

Busari Olaniyi Agbolade was born on 13th July, 1948. He attended A.U.D Primary School, Ila Orangun from 1955-1960, L.A Secondary School, Ila Orangun from 1961-1963. He later enrolled as apprentice under Adegoke Metal Construction Company from 1965-1967.

He worked with Niger West Construction Company, Niger Dam Authority and Uren Construction Engineering Company between 1969 and 1975. In 1976, He studied Aluminium and Copper Artistic Panel Beating under the tutelage of Yekini Agboola, an apprentice to Chief Ashiru Olatunde of Osogbo School.

He joined the Abayomi Barber School of Thought of the University of Lagos to study painting in 1980. He worked with the University of Lagos from 1980 and resigned his appointment in 1993 to become a full time artist.

Busari Olaniyi Agbolade in several exhibitions such as Barber School Exhibition sponsored by N.C.A.C in 194, Benue State Art Exhibition – 1985, Lagos State Art Council – 196, “ Man in Focus” exhibition by Federal Department of Culture – 1086, Exhibition of Paintings and Batiks by three Nigerian Artists in Dakar – Senegal 1987.

Exhibition of Paintings, Batiks, Carvings and Ceramics by Six Nigerian Artists with 843 Studio Gallery, East New York, U.S.A from October-December 1988 Lagos State Chapter of S.N.A. Annual exhibition from 1991-2009.

Some of his commission works are:- Portraits of HRH Aholu Menu Toyi, Akran of Badagry, Orangun of Ila, Oba William Adetona Ayeni and other prominent Nigerians both home and abroad. Painting of “Mother and Child” commissioned by 843 Studio Gallery, New York, U.S.A.

https://azaartistsandwritersmovement.blogspot.com/

Wednesday, August 5, 2020

Oyo Artists mourn Elder Busari Olaniyi Agbolade


OYO ARTISTS MOURN ELDER BUSARI OLANIYI AGBOLADE


AZA Artists and Writers Movement has expressed deep shock over the demise of its Chairman, Elder Busari Olaniyi Agbolade.

The Movement’s Secretary, who is also the Oyo State Governor of the Association of National Theatre Arts Practitioners (ANTP) Mr. Adegboyega Tajudeen Abidoye, in a statement on Tuesday, said that the news of his death came as a rude shock.

Elder Busari Olaniyi Agbolade breathe his last in Ibadan few weeks ago after a brief illness,” Mr. Adegboyega Tajudeen Abidoye, said in the statement. He will be remembered for his impeccable service to the arts industry and passion towards painting. 

The Movement prays that God Almighty will comfort all who mourn the late Elder Busari Olaniyi Agbolade and grant his soul eternal rest.”

Busari Olaniyi Agbolade, a professional painter, steel fabricator was born on 13th July, 1948. He attended A.U.D Primary School, Ila Orangun from 1955-1960, L.A Secondary School, Ila Orangun from 1961-1963. He later enrolled as apprentice under Adegoke Metal Construction Company from 1965-1967.

He worked with Niger West Construction Company, Niger Dam Authority and Uren Construction Engineering Company between 1969 and 1975. In 1976, He studies Aluminium and Copper Artistic Panel Beating under the tutelage of Yekini Agboola, an apprentice to Chief Ashiru Olatunde of Osogbo School.

He joined the Abayomi Barber School of Thought of the University of Lagos to study painting in 1980. He worked with the University of Lagos from 1980 and resigned his appointment in 1993 to become a full time artist.

He has participated in several exhibitions such as Barber School Exhibition sponsored by N.C.A.C in 194, Benue State Art Exhibition – 1985, Lagos State Art Council – 196, “ Man in Focus” exhibition by Federal Department of Culture – 1086, Exhibition of Paintings and Batiks by three Nigerian Artists in Dakar – Senegal 1987.

Exhibition of Paintings, Batiks, Carvings and Ceramics by Six Nigerian Artists with 843 Studio Gallery, East New York, U.S.A from October-December 1988 Lagos State Chapter of S.N.A. Annual exhibition from 1991-2009.

Some of his commission works are:- Portraits of HRH Aholu Menu Toyi, Akran of Badagry, Orangun of Ila, Oba William Adetona Ayeni and other prominent Nigerians both home and abroad. Painting of “Mother and Child” commissioned by 843 Studio Gallery, New York, U.S.A. 

Some of his works (paintings) can be viewed at https://artsfocus.wordpress.com/2014/08/14/electronic-exhibition-of-mr-busari-olaniyi-agbolades-painting-works/. Before his death, Elder Busari Olaniyi Agbolade was the Chairman of AZA Artists and Writers Movement.